Wednesday, February 15, 2006
Word Image: Fire
For this assignment, we chose a word and applied styles, transforms and other tweaks so the text illustrated the word's meaning--the font originally was Braggadocio.
Tuesday, February 14, 2006
Monday, February 13, 2006
City Delights, or "Delightful City"
In the current Print Module we've started Adobe Illustrator; providentially, I'd learned some of the program last summer and did a little more in late fall, so it's not totally obscure. For the first part of this small, 20-point project, we had to trace shapes with the [scary?!] pen tool; the second phase, the one we turned in for grades, was to use the shapes to create a picture of anything but a beach scene. The shapes – which we could break apart into their separate components – were umbrella, cloud, waves, sailboat, palm tree, seashell and delivery truck. After I finished tracing, I spent a ton of time working with fills, lines, gradients, transforms and stacking orders. Then, when time got short, I designed an energetic, optimistic, happy urban paradise.
Wednesday, February 08, 2006
summer dreams
We did this project in ImageReady, PhotoShop's web formatting component; it's a quick comp of the splashpage of a website, something you'd prepare for a client – without spending unreal amounts of time doing something that might not fly – to give them an idea of what you had in mind. This image includes additions not required by the minimum assignment directions.
Friday, February 03, 2006
photo retouching and colorizing: Harwich House
Wednesday I turned in my second major project; these notes are from my Artist's Statement.
194 Church Street, Harwich, Massachusetts
Image source: for this assignment I chose a black and white photograph of the house my grandparents first owned and later lived in at 194 Church Street in Harwich, on the vacation peninsula of Cape Cod, Massachusetts; they probably took this shot shortly after buying the property in the early 1950s. Clapboard siding and shake shingle roofs characterize most New England farm-style houses built on the Cape during the mid-to late 19th century.
Over the past few years I've scrapbooked many of the better snapshots of this house, but this one was in close to disreputable condition, making it a great candidate for repairing and colorizing!
Hoped-for outcome and rationale: because I have pictures taken after my grandparents made repairs, improvements and additions to both house and yard, I planned the colorizing to reveal what the house would have looked like when they first bought the property, before starting renovations and transformations.
Regarding the hues: always trying to avoid the temptation to imagine this project was supposed to look like a color photograph, I took some freedom with the color. I made the siding on the house creamy white, although an almost chalky white tends to be more typical of houses of that period in that geographical area. In addition, I aimed for pleasing (to me) interactivity among the roof, grass and sky colors. The original roof probably was green, but it might have been gray or brown.
194 Church Street, Harwich, Massachusetts
Image source: for this assignment I chose a black and white photograph of the house my grandparents first owned and later lived in at 194 Church Street in Harwich, on the vacation peninsula of Cape Cod, Massachusetts; they probably took this shot shortly after buying the property in the early 1950s. Clapboard siding and shake shingle roofs characterize most New England farm-style houses built on the Cape during the mid-to late 19th century.
Over the past few years I've scrapbooked many of the better snapshots of this house, but this one was in close to disreputable condition, making it a great candidate for repairing and colorizing!
Hoped-for outcome and rationale: because I have pictures taken after my grandparents made repairs, improvements and additions to both house and yard, I planned the colorizing to reveal what the house would have looked like when they first bought the property, before starting renovations and transformations.
Regarding the hues: always trying to avoid the temptation to imagine this project was supposed to look like a color photograph, I took some freedom with the color. I made the siding on the house creamy white, although an almost chalky white tends to be more typical of houses of that period in that geographical area. In addition, I aimed for pleasing (to me) interactivity among the roof, grass and sky colors. The original roof probably was green, but it might have been gray or brown.
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